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Francisco Goya
The Madhouse
mk214
c.1816
Oil on panel
45x72cm
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Francisco Goya
Burial of the Sardine
mk214
c.1816
Oil on panel
82.5x62cm
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Francisco Goya
Drawing for plate 190
c.1816
Pen and sepia ink
22x18cm
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Francisco Goya
Saints Justa and Rufina
mk214
1817
Oil on canvas
309x177cm
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Francisco Goya
Torture of a Man
mk214
Sepia wash
20.5x14.3cm
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Francisco Goya
Que crueldad
mk214
Sepia wash
20.5x14.2cm
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Francisco Goya
Crowd in a Park
mk214
Sepia wash
20.6x14.3cm
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Francisco Goya
Saturn
mk214
c.1821-3
Oil on plaster transferred to canvas
146x83cm
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Francisco Goya
Judith
mk214
c.1821-3
Oil on plaster transferred to canvas
146x84cm
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Francisco Goya
The Hermitage of St Isidore
mk214
1788
Oil o ncanvas
42x44cm
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Francisco Goya
The Giant
mk214
c.1818
28.5x21cm
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Francisco Goya
Last Communion of St Joseph of Calasanz
mk214
1819
Oil on canvas
250x180cm
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Francisco Goya
Self-Portrait with Dr Arrieta
mk214
1820
Oil on canvas
117x79cm
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Francisco Goya
Tiburicio Perez
mk214
1820
Oil on canvas
102.1x81.3cm
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Francisco Goya
Modo de volar
mk214
c.1816
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Francisco Goya
Disparate feminino
mk214
c.1817-19
24x35cm
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Francisco Goya
Drawing for Disparate feminino
mk214
c.1817-19
23.2x33.2cm
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Francisco Goya
Drawing for Poor folly
mk214
c.1817-19
24x33.5cm
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Francisco Goya
Working proof for Poor folly
mk214
c.1817-19
24.5x35cm
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Francisco Goya
Bobalicon
mk214
c.1817-19
24.5x35cm
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| Francisco Goya
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1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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